The power of a teacher’s gaze

What is the most important part of a teacher? 

What about her gaze?

Bullying starts in silence. In subtleties. It’s glances, murmurs, a passed note, a brushing-by in the hallway that’s a little too rough. Sometimes this is invisible to teachers, but not to Niña Lidiabeth. She could see that the other kids didn’t like the new first-grader: already una nerdita, overly eager to please and excel, cursed by a Panamanian accent after four years spent abroad for her father’s work. La Niña Lidiabeth protected her over-achieving charge just as silently and subtly. An authoritative glance. A well-placed word of support. A little chineo, a tiny singling-out: not enough to increase the ridicule, just enough to warn off the vultures. Those jaws of bullying, poised and threatening, never closed down on the little girl.

So small and precise, impeccably dressed, with large, beautiful earrings framing her face, la Niña was full of sayings: The lazy and the mean must do everything twice. Do it slowly, because we are in a rush. These truisms, such throwaways on someone else’s lips, were transformed by the steady gaze of la Niña Lidiabeth into standards that would shape her students for life. 

One day, she pressed a set of papers into the little girl’s hands and issued an order: run for student body president. “But Niña, no one even likes me!” “You’ll do it, and you’ll win.” What did she see, deep inside the girl who somehow won that election, whose voice now seemed to matter? 

The nerdita had never held a proper camera or learned to take a photo, but with Niña Lidiabeth, she learned more than math or reading. She learned the power of the gaze. What we choose to view. What we leave out of the shot, ignore, obscure. What we do with what we’ve seen. Will we look and leave it be, or will we, like the greatest of teachers, find a way to act?

As published today in El Colectivo 506. Image courtesy of El Colectivo 506 and Mónica Quesada Cordero. Text by Katherine Stanley Obando, inspired by photojournalist Mónica Quesada’s love for her teacher, Lidiabeth Leitón García. Is there a Costa Rican teacher who looms large in your mind? Tell me! Our weekly #MediaNaranja series this month is dedicated to teachers.

El Colectivo is the new, bilingual media organization I co-founded with two friends last year. Our Sunday #MediaNaranja series collects short love stories with a Costa Rican connection: romances, friendships, love of humans, animals, things, places, ideas. To share your own ideas for stories to be featured in this space, write to me at katherine@elcolectivo506.com

In the shadows, a dazzling light

The birth of your child gives your life an arc. In fact: pregnancy. From the first strange soreness, sudden nausea, you begin to measure out your life anew. Nine months, developmental milestones, how much longer of these diapers, of this breastfeeding business? How much longer will she snuggle like this? Looming, that end tape: 18 years. 

We all see it there, a constant horizon. We look forward with dread or anticipation. After 18 years, some freedom will be restored, whether we want it or not.

Imagine, then, those mothers of mothers slain. The grandmothers who stand in the shadows of a femicide.

The murder of a young mother at the hands of her child’s father leaves many lives in ruins. But for that mother’s own mother—perhaps gearing up for a third act, perhaps easing into relaxation, graying and fraying as we do—it breaks the whole arc. In one instant of horror, a tent pole vanishes from the center of her existence. 

Her life refills with little socks and the nightly communion of teeth-brushing. To the uninitiated, this might sound comforting. Surely, at times, it is. But those little socks are not just socks. They are her entire life repeating, against her will. They are a return to the beginning just when the very beating of her heart seems to have ended.

As she grieves, she is called back into action. She must rewind to the start just when her years of work to raise her daughter have been cruelly tossed aside by hate. With one soulmate torn away, a wound never to heal, she reshapes herself around another.

In the shadows, a dazzling light. For what greater, sadder, stronger love than this?

As published today in El Colectivo 506. Image by Priscilla Mora Flores. Text by Katherine Stanley Obando, inspired by pieces by Natalia Díaz and Priscilla Mora published by El Colectivo 506 this month

El Colectivo is the new, bilingual media organization I co-founded with two friends last year. Our Sunday #MediaNaranja series collects short love stories with a Costa Rican connection: romances, friendships, love of humans, animals, things, places, ideas. To share your own ideas for stories to be featured in this space, write to me at katherine@elcolectivo506.com

The story of La Llorona, but not the one you know

It’s such a small stone for such a big name.

La Llorona: she who cries. A massive, creepy presence in our legends, in the minds of children up and down Latin America. The woman who drowned her own children, who walks the riverbanks ceaselessly, crying and crying. A powerful myth. A strong, loud wail.

But that Llorona has nothing to do with this shiny stone, selected long ago from the Santa Cruz mountains. The stone belongs to Melesia Villafuerte, and belonged to her mother before her. Like the indigenous people of Guanacaste for generations, Melesia and her mother have used a favorite stone to polish the rough sides of clay pots and vases and dishes into a high sheen: the famous pottery of Chorotega.

One day in Melesia’s youth, a boy in the neighborhood stole the stone. Melesia cried so hard and so long on the porch of her family’s Guanacaste home that, ashamed, the boy eventually returned it. She cried so hard and so long that, from that day on, the stone has been known as La Llorona.

Today, Melesia is 57, and La Llorona flies and gleams in her hand as she sits polishing pottery at Coopeguaytil, where women come together to make art. It shines from years of polishing and being polished in return, a give and take between clay and stone. It shines with the memory of Melesia’s tears the day it was taken from her, only to return. It shines almost like a river stone, plucked from the waters before it was too late.

As published today in El Colectivo 506. Image by Mayela López. Text by Katherine Stanley Obando, inspired by a story by Mayela López about the artisans of Guaitil, Guanacaste, published by El Colectivo 506. Our Sunday #MediaNaranja series collects short love stories with a Costa Rican connection: romances, friendships, love of humans, animals, things, places, ideas. To share your own ideas for stories to be featured in this space, write to us at katherine@elcolectivo506.com

Happy Day of Love and Friendship

(Doesn’t the Costa Rican version of the holiday sound so much nicer?)

Feliz Día del Amor y la Amistad para todos. ¡Gracias por leer y por querer a Costa Rica!

I’m a writer in San José, Costa Rica, on a year-long quest to share daily posts on inspiring people, places and ideas from my adopted home as a kind of tonic during a rough time in the world. Sign up (top right of this page) to receive a little dose of inspiration every weekday in your mailbox; tell a friend; check out past posts; and please connect with me on Instagram or Facebook! You can also find me churning out small, square poems on any topic under the sun (here on the site, on Instagram or Twitter). 

The year of love has arrived!

A big year in Costa Rican history has begun: the year that marriage equality will finally be the law of the land (on May 26, to be exact. That’s the day that the 18-month deadline set by Costa Rica’s Constitutional Courte for legislators to make marriage equality legal, will elapse; if they haven’t taken action by that date, the legislation prohibiting gay marriage will automatically be voided).

So for this first Monday of 2020, I’m full-on stealing an idea from my new Facebook friend Melissa Floress: celebrating (and tagging) everyone I can think of who is ready to help Costa Rica’s LGBTQ couples – or visiting couples – tie the knot in 2020. I know nowhere near as many people as Melissa, so I am simply reproducing her recommendations, but I would love to hear about the many additional businesses I know are out there who would love to help celebrate some very special and long overdue weddings in 2020! (You can also read more about LGBTQ-diverse businesses in Costa Rica through the Cámara Diversa.)

Event planning: Royal Eventos CR

Music: DJ Pablo Mena, Cimarrona Andree Perdomo J

Cakes: Palma Dulce Pastelería & Productos Gourmet, Angela Poppe

Makeup: Steph Zamora Maquillista, Andrey Ruiz

Decoration: Cindy Aguilar Madrigal

Flowers: Eli Arias

Food: Sylvi Ta, Pao Alvarenga de @Amarena

Clothing design: Kasandra Farrier, Andrea Gil

Spa packages for the wedding party: Lorena Herrera

Photography: Susan Alpizar

Master of ceremonies: Sofia Porras Aguilar

Notaries: Sue Mey, Laura Castro (Laura can provide services in English)

Hotels for the honeymoon: Casitas Tenorio (Bijagua), Hotel Kasha (Caribbean)

Who am I missing?

I’m a writer in San José, Costa Rica, on a year-long quest to share daily posts on inspiring people, places and ideas from my adopted home as a kind of tonic during a rough time in the world. Sign up (top right of this page) to receive a little dose of inspiration every weekday in your mailbox; tell a friend; check out past posts; and please connect with me on Instagram or Facebook! You can also find me churning out small, square poems on any topic under the sun (here on the site, on Instagram or Twitter). 

On marriage and diamonds

In our first year of marriage, my true love gave to me a yigüírro in an orange tree.

Don’t worry – I won’t continue. That would be silly. By no means will I tell you that he also gave to me two empanadas, three Rock Ice, four chicharrones, fiiiiive Meeeeega Triiiiiits, six monkeys pooping, seven dolphins swimming, eight sloths a-slothin’, nine comparsas drumming, ten egg salesman megaphoning, eleven ladies dancing (at Castro’s), and twelve micheladas.

As we approached our twelfth wedding anniversary, I kept thinking about that first one on my list and how simple it was. We were renting a little house with an orange tree in the yard, and, yes, a yigüírro in that orange tree, more than once. Costa Rica’s national bird would wake us up with its calls for rain during those hot, dry days of late summer. We owned more things than the yigüírro did, but not all that much more. We could flit around the city on a Saturday, aimless. In fact, that was our favorite thing to do.

We marry, and then we add things on top of it, whatever “it” is. We add years, possessions, meals, logistics. Maybe a home. Maybe actual additional humans, if we so choose, and are lucky.

As averse to change as I am, I don’t think all of this is necessarily a bad thing, and I’m not sure we can avoid it. If we had sworn to each other, in our wedding vows, never to give each other anything more than a yigüírro in an orange tree which wasn’t ours anyway – never to complicate our lives further than those vows and perhaps a shared lease – I think we still would have piled something on top. The strains and ups and downs of our jobs, perhaps. Trips we would have taken. Obligations we might have acquired with the time and energy we might have conserved in the absence of a kid jumping up and down on our bed at dawn.

Even when we try to stay in place, as steady as a rocky shore like the ones where my mother lives in Maine, the years have a way of bringing flotsam and jetsam along with them and depositing them in front of us.

A while ago, I started thinking about marriage and diamonds. We so often give and receive them at the start of a marriage – a shining symbol of everlasting love, or something like that – but that’s the wrong metaphor. The right metaphor is the way that diamonds are made: a whole lot of crap compressed over time, and under immense amounts of pressure and heat that form unbreakable bonds. The diamond in an engagement ring isn’t a symbol of what you already have. It’s a manual for what you are going to try to make.

That’s why I don’t think it’s such a bad thing to layer all kinds of crap on top of your marriage vows. I think that’s how it works. Phone bills, dinner dates, lost socks, birthdays exceptional and mundane and bad, small arguments over small things, massive arguments over small things, wrenching discussions of potentially life-changing things – all of it goes in the mix, and then the pressure of life bears down over time. Doesn’t that sound delightful? But they warned us. It’s all there in the manual.

That’s just how a diamond is made.

And the thing is, those diamonds are beautiful. I won’t go into detail, because I’m from New England, and already display far too much emotion for my own good. If I add a thick layer of cheesiness and self-congratulation, a gang of disapproving matrons will arrive at my door, lips in a thin line, to wash my mouth out with rhubarb and make me can blueberries or something. But you know what I mean. In the moments where all those hours and days and long lines and blissful vacation mornings and indecipherable tax forms – all that carbon, which, after all, is what we are – get compressed into something much stronger than either of the two of you, it makes your breath catch.

That’s what it’s all for. We start with just a hope, a piece of paper, some intangible “it,” and watch it become something real. That’s one thing I learned as my father’s life came to an end: that the bond between my parents was not an idea, or a feeling. It was practically a solid object. It was almost visible. I could feel it running through me as I stood between them in a church pew for the last time, for example. We could all see the glint of it as we gathered around them during those unforgettable final days. It made my breath catch. It still does, right now.

It had been forged under the ordinary and extraordinary pressures of life over 52 years.

None of this is exclusive to marriage, or to marriages that last. It can happen anytime we hold on to another person over time and through the heat of life. It stands to reason that divorces can create some absolutely spectacular diamonds. Sisters and brothers, parents and kids, neighbors. Some friendships, although other friendships are the equivalent of walking down the street and picking a fully formed, perfectly polished diamond up off the ground, just like that, nothing to be added or taken away. Sometimes, there’s just a freebie. Maybe some marriages are like that, too – perfect and unchanging from the start – although I’m not sure I’ve ever seen one that wasn’t on a page or a screen.

None of this takes away our yearning, now and then, for the lightness with which we started. That’s what anniversaries are for, and birthdays, and all those celebrations. They remind us of simplicity. We set aside these jewels from deep in the earth and deep in our hearts and put on a flower ring instead, a bruised stem wrapped around our finger that keeps coming loose. We might eat a Ticoburguesa. We might kick up our heels, take an aimless walk. It’s what we always do, as humans: juggle and juggle that unbearable lightness and breath-catching depth of our being.

I’m a writer in San José, Costa Rica, on a year-long quest to share daily posts on inspiring people, places and ideas from my adopted home as a kind of tonic during a rough time in the world. Sign up (top right of this page) to receive a little dose of inspiration every weekday in your mailbox; tell a friend; check out past posts; and please connect with me on Instagram or Facebook! You can also find me churning out small, square poems on any topic under the sun (here on the site, on Instagram or Twitter).